很久很久以前，有一个妄图将整个世界变成黑暗国度的魔法师。中了魔法师法术的人们都挥舞着刀剑挑起了战争，就连主人公妍华和风伊生活的和平国度萨比国，也遭到了黑军的入侵，风伊被掳走。岁月流转，妍华成为了守护萨比国神秘力量“萨比花”的宫女，而风伊则被黑军培养成怪物战士，冲锋在侵略萨比国的前线。一段与萨比国命运息息相关的、两个男女之间美丽而悲伤的爱情与牺牲故事就此展开。这是韩国首部与百济历史相关的3D动画。

A girl questions her boyfriend's motives for wanting to major in nursing. She urges him to prove himself by defeating his rivals in a school sports competition

Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus of The First Responders. Without voiceover narration or interview shots, the film captures not only the team’s work and daily lives, but also their inner darkness, desires, and the difficult fate inherent in their profession. Here, the camera is not simply a tool for recording but is one of them, acting as their eyes. “Just strip away all emotion and focus on what you need to do,” one firefighter says, and the documentary mirrors this approach, moving steadily forward without being swept up by emotional waves. Yet the film inevitably reaches heart-warming moments. This documentary offers an exceptionally humanistic insight into the profession.

1994년, 사이비 종교와 싸우던 한 남자가 살해당했다. 아버지를 잃은 세 아들은 각자 신학자, 이단상담가, 성공회 신부가 되어 아버지의 싸움을 이어갔지만, 30년이 지나도록 그 죽음의 진짜 배후를 밝히지 못했다. 과연 그 진실은 무엇인가.

一只老狗住在一片空地上。镜头转向村民，引出了这只狗。在人们分享回忆的过程中，记忆与现实相互交织，营造出一种氛围。

男朋友退伍后，秀琳（Surim音译）去花市给他买花。她想省钱，但见到男朋友时，还是抑制不住内心的情感。

曾是一位植物学家的东浩，曾被他在白头山见到的野花美景所深深打动。即使退休之后，他依然投身于传播野花的事业，四处投掷“种子炸弹”。为了复育一种濒临灭绝的高山植物，他亲手建起温室，十年来一直细心照料着这些野花。 某天，一件意外打破了他的日常：邻家小女孩春美被他偷偷养的蜜蜂蜇伤了。春美的妈妈带着警察和119救援队登门要清除蜜蜂，然而东浩却坚称自己没有养蜂，反而激动地表示，如果蜜蜂灭绝，人类也将随之灭绝。 就在大家以为“蜜蜂骚动”就此平息时，春美又主动登门拜访。原来她为体验学习养蚕，但桑叶用尽，只能来向东浩求助。东浩发现春美并不怕蜜蜂，对她渐渐生出亲切之感。他帮她寻找桑叶，还在温室里一起制作种子炸弹，两人逐渐建立起一段温暖的友谊。 然而，就在关系日渐亲近时，春美却突然消失，只留下一个养蚕工具箱。东浩等了好几天，终于从春美的老师——努里那里得知了她的身世：春美和妈妈秀妍正是为了逃避父亲的家暴才搬来此地。如今因为父亲的穷追不舍，她们又被迫躲到一家汗蒸房里。 东浩去找秀妍，希望她能报警并让春美重返校园。但秀妍表示自己还有未了的事，请求东浩帮忙暂时照顾春美。了解了母女的故事之后，东浩开始思考，什么才是最明智的选择。就在这时，春美透露了一个新的计划，让东浩做出了一个重大的决定。

Japanese photojournalist Kuwabara Shisei boards a flight to Korea. Since his first visit in 1964 as a 27-year-old, Shisei has spent six decades documenting the turbulence of Korea's modern history: Cheonggyecheon, military camp towns, the Vietnam War deployment, and democracy movements. Now elderly, he returns, believing this might be his final journey. He carries a mission: to revisit the places and people that defined his life’s work. The film follows the photographer’s footsteps back into the heart of these historical sites.

Japanese photojournalist Kuwabara Shisei boards a flight to Korea. Since his first visit in 1964 as a 27-year-old, Shisei has spent six decades documenting the turbulence of Korea's modern history: Cheonggyecheon, military camp towns, the Vietnam War deployment, and democracy movements. Now elderly, he returns, believing this might be his final journey. He carries a mission: to revisit the places and people that defined his life’s work. The film follows the photographer’s footsteps back into the heart of these historical sites.

Three women related to room 404 Sojung, Hayeon, and Miji. The three women are curious about the situation in room 404.